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Out of Context

Photograph of a field and barn landscape. Bottom half: mostly green grass across a field. Top half: dramatic cloud cover sweeps across the sky, heavy to the left-hand of the frame, lighter to the right. On the horizon, a barn and treeline, with the sun visible rising between the trees, giving the sky a bit of an orange tint.
A dark-toned but richly-colored painting of market scene. A bearded man holding a knife stands behind several tables with fish in various states of being cut up. Around and behind him are many women waiting to be served. He appears to be waiting on one of them, while others look on impatiently, while still others appear distracted by scenes beyond the frame.
'"Checker on seven!" and back between the checkstands unloading the wire carts, apples three for eighty-nine, pineapple chunks on special, half gallon of two percent, seventy-five, four, and one is five, thank you, from ten to six six days a week; and he was good at it.'
Ursula Le Guin, The Beginning Place
A close-up photo of a milkweed pod against a background of foliage. At the center-top of the frame, easy to miss, is a striped caterpillar hanging down, presumably from a leaf that is out of sight.
A photograph of an open field with a barn to the center-left of the frame. There are silhouettes of trees against a subtle, orange-peach sky.
In the sunlight in the center of a ring of trees Lev sat cross-legged, his head bent above his hands.
I discovered that nearly every day the snow was slightly different along the trail at Jackson Creek. I became fascinated by sintering. When a snowflake falls from the sky and lands on the earth, it immediately begins, or perhaps continues, a transformation as it forms bonds at temperatures below zero (this is not a melting process) with its neighbouring snowflakes or crystals to create the fabric of a snowpack. Sintering is a joining. It is a communal transformation that creates a fabric of former snowflakes bonded to each other. [...] Sintering is slow deformation.

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