Caption from original reads: 'Monterey, California; while some of the old cannery buildings have been converted to restaurants, tourist shops and hotels, remnants of the canneries and other former businesses along Cannery Row still exist.'
'Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitants are, as the man once said, "whores, pimps, gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holy men," and he would have meant the same thing.'
John Steinbeck, Cannery Row
Photograph of a field and barn landscape, in portrait mode (vertical). Bottom half: mostly green grass across a field. Top half: a hazy sky with scattered clouds, with strong orange-pink beams coming through some clouds. On the horizon, a barn and treeline.
A still from the film 'The Great Dictator.' shows an ensemble of men in military uniform. From left to right: a man in a white military uniform holding a serving tray, a shorter man with a distinctive small mustache in a dark jacket, a heavyset man in military dress uniform holding what appears to be a large tray of pasta, and a man in ornate formal wear or costume on the right. The setting appears to be an elegant interior with ornate wallpaper and furnishings visible in the background. All are looking at each other with looks that range from surprise to frustration.
By ten-forty-five it was all over. The town was occupied, the defenders defeated, and the war finished.
John Steinbeck, The Moon is Down
Photograph of a field and barn landscape. Bottom half: mostly green grass across a field. Top half: dramatic cloud cover sweeps across the sky, heavy to the left-hand of the frame, lighter to the right. On the horizon, a barn and treeline, with the sun visible rising between the trees, giving the sky a bit of an orange tint.
A dark-toned but richly-colored painting of market scene. A bearded man holding a knife stands behind several tables with fish in various states of being cut up. Around and behind him are many women waiting to be served. He appears to be waiting on one of them, while others look on impatiently, while still others appear distracted by scenes beyond the frame.
'"Checker on seven!" and back between the checkstands unloading the wire carts, apples three for eighty-nine, pineapple chunks on special, half gallon of two percent, seventy-five, four, and one is five, thank you, from ten to six six days a week; and he was good at it.'
Ursula Le Guin, The Beginning Place