A landscape photo. A field, recently mowed down, and a barn and trees in the distance. The sky is dappled with clouds and, toward the left of the frame, the sun is shining through, turning that portion of the sky interesting colors of orange and pink. The silhouette of a treeline is visible further in the distance.
A painting shows a towering mountain painted in bold but sparse strokes of black and ombre tones. At the bottom of the painting, a man stands in a boat, looking up at the mountain. Columns of Chinese characters fill the top of the frame.
She placed it on the shelf beside its sister, and pondered a thousand questions. Attend to what appears before you, she thought. That is what I must teach myself to do.
Madeleine Thien, The Book of Records, Chapter 3
A landscape photo. Much of the photo is fairly washed out by sun and sunstreaks, but you can see a grassy field and sillhouettes of a sporadic treeline in the distance. A dog is somewhat in shadow in the foreground. A line of yellow-to-gold extends from the center of the frame rightward, to its edge: the tops of a cornfield.
Half a century ago, during the rainy season, when I was seven years old, my father and I reached the Sea. It was evening and the buildings were coloured glass against the night. I remember that we disembarked into water, we crossed the sand, we entered a pale door of the sea.
Photo of a sculpture of a muscular man holding up the head of a woman. His gaze is cast downward. He is stepping upon her body. In the background are other sculptures, as it appears to be in a museum.
We must certainly leave for Rome tomorrow, Mrs. Johnson thought. She heard herself thinking it, at some distance, as though in a dream. She entered thus from that day a conscious duality of existence, knowing what she should and must do and making no motion toward doing it . . . to Mrs. Johnson the experience was strange and new. It confused her.
Elizabeth Spencer, The Light in the Piazza